Skip navigation
User training | Reference and search service

Library catalog

Retrievo
EDS
b-on
More
resources
Content aggregators
Please use this identifier to cite or link to this item:

acessibilidade

http://hdl.handle.net/10071/16056
acessibilidade
Title: On making choices: some thoughts on an ethnographic film screening
Authors: Sampaio, S.
Martins, H.
Keywords: Ethnographic film
Ethnographicity
Ethnographic film screening
APA
Issue Date: 2017
Publisher: Universitat de Valencia
Abstract: In this paper we describe, analyse and reflect on our first-hand experiences as members of the jury of the Ethnographic Film Screening of the 6th Meeting of the Portuguese Anthropological Association (APA), which took place in the University of Coimbra, in June 2016 (http://vicongresso.apantropologia.org/mostra-de-filme-etnografico/). To quote from our call for the ethnographic films, our “simple invitation” was to “show through images how ‘Disputed Futures’ [the topic of the general meeting] mean the diversity of presents and pasts; because the world is made on different rhythms, impulses, desires towards the uncertainty and incompleteness of history.” Our criteria for the film selection process was divided into (1) cinematic quality and originality (cinematography, sound, etc.) and (2) the anthropological character of the films. In the end, we selected 21 out of a total number of 101 films received, among short, medium and feature-length formats. The selection proved a difficult process, raising important issues, namely: was this ‘practical’ division between ‘cinematic quality’ and ‘anthropology’ theoretically (and even empirically) sound? Was it able to overcome the separation between content and form? To what extent were our preferences determined by our different professional backgrounds? Is it possible to assess fairly the ‘ethnographicity’ of such a large number of films, originating from a wide range of geographical and even academic contexts? How did the context of the event – a meeting of anthropologists – impact on our viewings and final choices? Lastly, how did the cinema-going conventions and expectations associated with this kind of film exhibition frame constrain the films’ ‘ethnographicity’? Are there any exhibition alternatives?
Peer reviewed: yes
URI: https://ciencia.iscte-iul.pt/id/ci-pub-38933
http://hdl.handle.net/10071/16056
Appears in Collections:CRIA-CRI - Comunicações a conferências internacionais

Files in This Item:
acessibilidade
File Description SizeFormat 
FAAEE_S02_2017.pdf513.04 kBAdobe PDFView/Open


FacebookTwitterDeliciousLinkedInDiggGoogle BookmarksMySpace
Formato BibTex MendeleyEndnote Currículo DeGóis 

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.